{"id":2077,"date":"2020-10-10T12:37:49","date_gmt":"2020-10-10T10:37:49","guid":{"rendered":"https:\/\/cheries-cheris.com\/festival\/?post_type=film&#038;p=2077"},"modified":"2021-06-05T18:59:21","modified_gmt":"2021-06-05T16:59:21","slug":"bodies-we-live-in-les-corps-dans-lesquels-nous-vivons","status":"publish","type":"film","link":"https:\/\/cheries-cheris.com\/festival\/films\/bodies-we-live-in-les-corps-dans-lesquels-nous-vivons\/","title":{"rendered":"BODIES WE LIVE IN &#8211; LES CORPS DANS LESQUELS NOUS VIVONS"},"content":{"rendered":"<style type=\"text\/css\">@media only screen and (min-width: 1000px) and (max-width: 5000px){body.kc-css-system .kc-css-320991{width: 9.97%;}body.kc-css-system .kc-css-436000{width: 29.53%;}body.kc-css-system .kc-css-10187{width: 50.26%;}body.kc-css-system .kc-css-93977{width: 10.22%;}body.kc-css-system .kc-css-958658{width: 10.08%;}body.kc-css-system .kc-css-365046{width: 29.42%;}body.kc-css-system .kc-css-587698{width: 50.04%;}body.kc-css-system .kc-css-690307{width: 10.44%;}body.kc-css-system .kc-css-690270{width: 9.97%;}body.kc-css-system .kc-css-32719{width: 29.53%;}body.kc-css-system .kc-css-887742{width: 50.26%;}body.kc-css-system .kc-css-238151{width: 10.22%;}body.kc-css-system .kc-css-620860{width: 9.97%;}body.kc-css-system .kc-css-916619{width: 29.53%;}body.kc-css-system .kc-css-892357{width: 50.26%;}body.kc-css-system .kc-css-34938{width: 10.22%;}body.kc-css-system .kc-css-92340{width: 9.97%;}body.kc-css-system .kc-css-499334{width: 29.53%;}body.kc-css-system .kc-css-262090{width: 50.26%;}body.kc-css-system .kc-css-35407{width: 10.22%;}body.kc-css-system .kc-css-838775{width: 9.97%;}body.kc-css-system .kc-css-89373{width: 29.53%;}body.kc-css-system .kc-css-312292{width: 50.26%;}body.kc-css-system .kc-css-874475{width: 10.22%;}body.kc-css-system .kc-css-999788{width: 9.97%;}body.kc-css-system .kc-css-286315{width: 29.53%;}body.kc-css-system .kc-css-834917{width: 50.26%;}body.kc-css-system .kc-css-574925{width: 10.22%;}}body.kc-css-system .kc-css-122218{margin-top: 20px;}body.kc-css-system .kc-css-986278{margin-top: 20px;}body.kc-css-system .kc-css-23088{margin-top: 20px;}body.kc-css-system .kc-css-445396{margin-top: 20px;}body.kc-css-system .kc-css-612592{margin-top: 20px;}body.kc-css-system .kc-css-939944{margin-top: 20px;}body.kc-css-system .kc-css-481108{margin-top: 20px;}<\/style>\n<section class=\"kc-elm kc-css-30439 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-954387 kc_column kc_col-sm-12\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-368661 kc_text_block\">\n<h3>PROGRAMME DE COURTS-M\u00c9TRAGES<\/h3>\n<\/div>\n<div class=\"kc-elm kc-css-984156\" style=\"height: 40px; clear: both; width:100%;\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-122218 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-320991 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-436000 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-618268 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/AJALON_Intro_to_Cultural_Skitzo-frenia_1.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-10187 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-233408 kc_text_block\">\n<h2>INTRO TO CULTURAL SKITZO-FRENIA<\/h2>\n<h5><strong>Jamika Ajalon<\/strong><\/h5>\n<p><strong>Documentaire. \u00c9tats-Unis. 1993. 10&prime;.<\/strong><\/p>\n<p>Entre t\u00e9moignages et critique culturelle s&rsquo;esquissent les v\u00e9cus de personnes \u00e9chappant aux cat\u00e9gories habituelles de race, genre et d&rsquo;orientation sexuelle.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-93977 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-986278 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-958658 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-365046 kc_col-sm-3 kc_column kc_col-sm-3\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-513836 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/WATERS_The_Male_GaYze.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-587698 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-467918 kc_text_block\">\n<h2>THE MALE GAYZE<\/h2>\n<h5>Jack Waters<\/h5>\n<p><strong>Documentaire. \u00c9tats-Unis. 1990. 11&prime;.<\/strong><\/p>\n<p>Un danseur noir \u00e9tatsunien invit\u00e9 \u00e0 se produire en Europe raconte ses relations avec le chor\u00e9graphe et interroge le rapport de l&rsquo;artiste \u00e0 son mod\u00e8le et les d\u00e9calages g\u00e9n\u00e9rationnels, culturels et raciaux.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-690307 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-23088 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-690270 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-32719 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-902091 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/INKSTER_Welcome_to_Africville_2.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-887742 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-279827 kc_text_block\">\n<h2>WELCOME TO AFRICVILLE<\/h2>\n<h5>Dana C. Inkster<\/h5>\n<p><strong>Fiction. Canada. 1999. 15&prime;.<\/strong><\/p>\n<p>La veille de la destruction de leur ville, c&rsquo;est l&rsquo;heure du bilan pour les c\u0153urs esseul\u00e9s des habitant\u00b7e\u00b7s d&rsquo;Africville, le quartier noir rattach\u00e9 \u00e0 Halifax.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-238151 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-445396 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-620860 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-916619 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-20122 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/HARRIS_Splash_2.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-892357 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-336225 kc_text_block\">\n<h2>SPLASH<\/h2>\n<h5>Thomas Allen Harris<\/h5>\n<p><strong>Documentaire. \u00c9tats-Unis. 1991. 7&prime;.<\/strong><\/p>\n<p>Une plong\u00e9e dans les souvenirs d&rsquo;enfance du petit Tommy, o\u00f9 de simples actes comme se coiffer ou jouer avec une poup\u00e9e blanche am\u00e8nent ce jeune gar\u00e7on noir \u00e0 examiner sa place et son identit\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-34938 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-612592 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-92340 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-499334 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-474869 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/TAYLOR_Bodily_Function.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-262090 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-510741 kc_text_block\">\n<h2>BODILY FUNCTIONS<\/h2>\n<h5>Jocelyn Taylor<\/h5>\n<p><strong>Fiction. \u00c9tats-Unis. 1995. 14&prime;.<\/strong><\/p>\n<p>Une fugitive parcourt la ville nue. Les prises de parole de lesbiennes noires explorent les notions d&rsquo;image de soi, d&rsquo;expression sexuelle, et leur impact sur la famille et la soci\u00e9t\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-35407 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-939944 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-838775 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-89373 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-949600 kc_shortcode kc_single_image\">\n<p>        <img decoding=\"async\" src=\"https:\/\/cheries-cheris.com\/festival\/wp-content\/uploads\/2020\/10\/EVANS_Close_to_Home.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-312292 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-256647 kc_text_block\">\n<h2>CLOSE TO HOME<\/h2>\n<h5>Rodney Evans<\/h5>\n<p><strong>Documentaire. \u00c9tats-Unis. 1998. 24&prime;.<\/strong><\/p>\n<p>Les enjeux de pouvoir et d&rsquo;\u00e9rotisme se r\u00e9v\u00e8lent au croisement des r\u00e9cits d&rsquo;une exp\u00e9rience amoureuse marquante et d&rsquo;un coming out au sein d&rsquo;une famille jama\u00efcaine conservatrice.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-874475 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"kc-elm kc-css-481108 kc_row\">\n<div class=\"kc-row-container  kc-container\">\n<div class=\"kc-wrap-columns\">\n<div class=\"kc-elm kc-css-999788 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-286315 kc_col-sm-4 kc_column kc_col-sm-4\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<div class=\"kc-elm kc-css-834917 kc_col-sm-6 kc_column kc_col-sm-6\">\n<div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-27278 kc_text_block\">\n<p><em>S\u00e9ance pr\u00e9sent\u00e9e par le r\u00e9alisateur St\u00e9phane G\u00e9rard.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-574925 kc_col-sm-1 kc_column kc_col-sm-1\">\n<div class=\"kc-col-container\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>PROGRAMME DE COURTS-M\u00c9TRAGES INTRO TO CULTURAL SKITZO-FRENIA Jamika Ajalon Documentaire. \u00c9tats-Unis. 1993. 10&prime;. Entre t\u00e9moignages et critique culturelle s&rsquo;esquissent les v\u00e9cus de personnes \u00e9chappant aux cat\u00e9gories habituelles de race, genre et d&rsquo;orientation sexuelle. THE MALE GAYZE Jack Waters Documentaire. \u00c9tats-Unis. 1990. 11&prime;. Un danseur noir \u00e9tatsunien invit\u00e9 \u00e0 se produire en Europe raconte ses relations [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":[],"film-type":[51,22],"film-tag":[],"class_list":["post-2077","film","type-film","status-publish","hentry","film-type-renaissance-noire","film-type-seances-speciales"],"_links":{"self":[{"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/film\/2077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/types\/film"}],"wp:attachment":[{"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/media?parent=2077"}],"wp:term":[{"taxonomy":"film-type","embeddable":true,"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/film-type?post=2077"},{"taxonomy":"film-tag","embeddable":true,"href":"https:\/\/cheries-cheris.com\/festival\/wp-json\/wp\/v2\/film-tag?post=2077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}